If it’s possible to have a favorite Biblical entity, mine is definitely Job. To me, Job is a particularly virtuous Everyman. He is living his life, loving G’d, and just a generally happy guy. Next thing he knows, the G’d he loves and trusts enters into a wager with none other than Satan. The wager? That even when Satan torments Job, Job will not renounce the L’rd. (more)
I’ve been mulling over the Bognar post on Lilith for a week now. I absolutely share her surprise at the depiction of adoption as anything but a fundamentally positive act. I, too, am surprised when I hear adoption viewed as other than a win-win — at least I am in 90% of the cases. The other 10% – those that involve children from countries without a concept of adoption – leave me with a lot of mixed feelings still to sort.
Ambivalent as I may be about that 10% of adoptions, I am 100% certain that I’m unhappy with the way adoption is trivialized in our culture. More and more, news items about adoption treat the adoptive family as more a foster family or babysitting entity. The”real” mother will look for her “lost” child in time and, when she does, those “nice” adoptive parents will back off. more…
I recently read an interesting post on the Lilith site. For those of you who are not familiar with Lilith, it’s a magazine with a demographic of Jewish feminists. I’m not sure I exactly fit, but I am Jewish and I am an adoptive mom, so I figure I’m close enough.
The piece, Are Adoptive Families Culturally Persecuted?, by Tara Bognar, covers Bognar’s experience at a daylong symposium about adoption. Specifically, Bognar reflects on the keynote speech given by Dr. Debora Spar, President of Barnard College. read more…
A shanda is “something that brings shame upon oneself, one’s family, and perhaps the entire Jewish community.” If Sandy Koufax had pitched on Yom Kippur – World Series or not – that would have been a shanda bringing shame upon the entire Jewish people.
Check out this article about a more personal type of shanda. It appeared in Reform Judaism in Winter 2012 and is, appropriately enough, entitled The Disgrace of a Nice Jewish Girl.
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